![]() ![]() Love bloodied with lust and lingerie, sin and satin. Exposing the obsessive in the romantic the fear in fantasy. And if it’s a Bhatt enterprise – Death it is! Swifter and slicker! Devoid of remorse, regret or redemption. Movie Review: Love, always, is a question of life and death. He’s quick to move his new love into his eerie home. It might have been better if the director had managed to bring in a potent psychological angle to it, but that never happens.Story: A wildlife photographer’s girl mysteriously goes missing. This is a harmless film, one that is neither good nor bad. The end is meant to be mysterious, but instead, seems hurried. Songs interrupt a few crucial scenes and Bhatt doesn’t quite manage to wrap it all up together in the end. Bhatt manages to create a few thrilling moments, but they are momentary and the film never quite completely manages to engage you.Ī large part of this can be attributed to lazy scripting and directing, and the acting never seems to convey the desperation and emotions the characters should be going through. ![]() The first half is sluggish, but the pace picks up immediately in the second half, when the twist is revealed. There are voices coming out of a tap, water draining out mysteriously and of course, the staple of horror film-makers – lights going off. She soon moves in with him, but is spooked by the strange happenings in the house. Meanwhile, tired of pining after his girlfriend, Vikram takes to drinking and falls in love with a waitress (Sara Loren). ![]() Their domestic bliss is interrupted when Roshni disappears, and the police suspect Vikram of having something to do with it, but find no conclusive proof. He moves to India with his architect girlfriend Roshni (Aditi Rao Hydari) on a lucrative contract and the two move in to a palatial house. Randeep Hooda plays Vikram, a photographer who shoots everything from calendars to wildlife (one of the opening shots shows Hooda shooting ostriches and zebras grazing peacefully near leopards in a meadow). All movies associated with them have pretty much the same structure and tone, a little bit of skin show, some nasal, high-pitch songs and the mystery element that forms the major chunk of the film.ĭebutant director Vishesh Bhatt makes an “official” remake of the Colombian film “The Hidden Face” and doesn’t veer from the original story line at all. “Murder 3” is a Bhatt franchise, so the title hardly matters. Don’t expect a lot of shooting and slashing. ![]() The latest addition to the “Murder” franchise is a lot of things, but one thing it isn’t is true to its name. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |